Ever-est
We are addicts to magnificence and depravity. If we can’t be the best we will compete to be the worst. If we can’t start the morning with the best cup of coffee, we begin the day with the worst.
We are addicts to magnificence and depravity. If we can’t be the best we will compete to be the worst. If we can’t start the morning with the best cup of coffee, we begin the day with the worst.
The litany ends and we sing a few carols. Aunt Jackie sings the loudest and there’s a kind of hope pulling at the corner of her voice that makes you think that everything, all of it, is true.
Suddenly, I heard Kevin gasp. We stumbled blindly toward his voice until echolocation led us to a vine-covered mausoleum. The script was crumbling, but the names were unmistakable.
This childlike, seven-year-old-style “what if” that we Christians share on this paradigm-shifting day is bigger than a breezy optimism. This is a deep-rooted hope.
Sometimes, I grow tired of people pretending they do know. I grow tired of people claiming the time to kill, the time to give up, the time to throw away.
An emotional massacre is really what I wanted, leaving happiness as the only feeling left standing. It’s what made the most sense at the time, but it doesn’t anymore.
I took a train every morning in Budapest to a little café called Budapest Bagel: a bar and a bagel shop where I somehow received college credit to write short stories and read novels following a longstanding expatriate tradition.
Tina: Good evening, I’m Tina Fey…
Amy: …and I’m Amy Poehler.
Tina: Welcome everyone to the 26th annual Golden Gabe awards.
But I have not yet figured out how to be happy in a world that is torn apart every day by war and hate, by hunger and sickness, by itself. I’ve learned this semester that being a social worker necessarily means knowing that there is more fallenness in this world than we can bear.
Recently, my wife and I watched all six Star Wars movies in preparation for The Force Awakens—a feat I hadn’t done in years—and I remember my vaguely alarmed reaction during the credit-crawl for A New Hope.