On Being a Good Tenant
I care a lot about things like that. I want people to remember good things about me.
I care a lot about things like that. I want people to remember good things about me.
Oftentimes when I go looking for spiritual poetry outside of Mary Oliver, I can’t find anything beyond super sanitized Christian verses.
Today, I cooked to affirm my belonging.
At that moment, Cline walked up and said, in his miraculously gentle drawl, “You can take her home if you want to.”
I’m angry that saying “Don’t tell me what to do” is more American than saying “Tell me how to help.”
I feel caught up in a collective urge to tend things.
I am naturally impatient, so I went straight to the climax (chapters 38 to 42) because I needed answers.
It’s hard to hear the voice inside my own head over the roar of the megasaw, much less the whisper of the earth.
Throughout the show, many of the actors deliver their lines with an intentional flatness, and I initially misinterpreted this flatness as both bad acting and a way of communicating a thesis.
There isn’t much I’ve enjoyed more recently than watching Clive—Clive Snails Lewis, to give him his full title—wrap his slimy self around a carrot.