RFRA
I was four or five when I ran away from home. It was a spur-of-the-moment decision stemming from my preschool sense of injustice.
I was four or five when I ran away from home. It was a spur-of-the-moment decision stemming from my preschool sense of injustice.
But when I tell this to people, my writing hopes and dreams and thoughts, the first question they invariably ask is: “What do you write?”
Of course, that’s not to say that it was a dramatic or artistic milestone. More accurately, the show’s dramatic milieu is perhaps best described as high camp.
Your head hurts, you’re tired, you’re an insomniac, you’re a narcoleptic, you’re mute, you’re alone, deafened, crowded, screaming screaming screaming.
When I was a child, I measured myself against the tallest tree. This tree, this tallest tree, it wasn’t a redwood or a giant ash. It was a white pine.
I know the saying is that misery loves company, but in my experience I reckon misery loves an audience. There, in the center of a circle of eager listeners, I peaked.
That computer fan breathes so loud now that I can’t ignore it. My mind fixates on the sound and won’t let it go, an act pretty typical of my mind in the midst of anxiety.
This is a source of regret for me now. I had ample opportunity to learn, maintain, and grow my language skills, but, quite simply, it wasn’t a priority.
My own body felt like it was about to become a steamed bun. But I needed to stay long enough so that the older gentlemen in the room don’t think I was a silly wuss.
In Denny’s, my vanilla ice cream and characteristic joyful temperament were melting into a puddle of white-chocolate raspberry pancake balls and self-loathing.