Youth in a Sound
One of the pleasures of listening to a new band is creating an image of who the singer is. What do they look like? What kind of life do they live when they’re not playing?
One of the pleasures of listening to a new band is creating an image of who the singer is. What do they look like? What kind of life do they live when they’re not playing?
But where do our clothes actually come from? Before they get to the mall or the boutique or the bargain bin, before we buy them for their comfort, style, or perceived necessity in our wardrobe. Sure, the tag lists a country, but what does that really mean? Who are the people who make them? What are their working conditions like? Are they paid a living wage?
It’s Saturday morning and I’m back at my old high school, preparing for a day full of those meta sort of moments when you get to sit on the other side of the table. Those times when you get a totally new perspective on something you’ve done a hundred times.
There is power in naming our fears, so here it is: I fear that sort of adulthood. The knowing sort. I fear it because it is a foolish and finite sort of adulthood.
February 21, 2016, 4:15 p.m. Crate & Barrel, 777 Boylston St, Boston, Massachusetts. We are standing in front of a flatware display with an iPod scanner, bickering about the price of forks.
There’s beer in the fridge and it doesn’t say, “Kirkland Signature.” (No hate.) There’s bourbon in the liquor cabinet. There’s a liquor cabinet. There’s a cabinet. I’ve never lived in a cleaner place. I’ve never used more sturdy cutlery.
But I brushed it off—I was having fun, and it wasn’t like I was going to live this way forever. I could stop whenever I wanted. Until I couldn’t.
The last leap year was 2012. That was the year I told myself I would take a photo every single day and create a chronological collection of three hundred and sixty-six snapshots.
I don’t do anything for the man who bangs on the church door and tells me about his probation and court date in Bremerton an hour and a half away and the company that let him go after thirty years to save themselves a retirement plan and the chronic pain in his shoulder and the botched knee surgery and how he just needs eight dollars and ten cents for the ferry or else they’ll throw him back in jail over a lousy eight dollars and ten cents and could I please, please, I know you’re good guy, please just give me eight dollars and ten cents for the ferry?
There was definitely no dancing, underage drinking, etc. And the truth is, even if the setting was different, I’m more Rory and Paris than Madeleine and Louise. Pizza and The Power of Myth sounds way better than staying out late dancing and drinking… or whatever it is people do on spring break.