Stand for Something
One of the best critiques of our generation is that we are so busy deconstructing things, we stand for nothing.
One of the best critiques of our generation is that we are so busy deconstructing things, we stand for nothing.
Eventually you have to look these fears in the face, and you have to sit with the things, both true and false, that you believe about yourself.
A lot of people talk about turning thirty like you’re turning dead.
My daughter will be here at the end of February. I am a mix of emotions.
I am baffled as I listen to TV reporters and NPR correspondents struggle to reconcile their love for someone with the terrible things that person did. We all love people who have done horrible things.
I stood ten feet away from Kate Stables in the front row of an audience that barely totaled twenty people, and yet This Is the Kit wasn’t playing for us. They didn’t even know we were there.
The room was smaller than I expected, square with leaded glass windows and peeling paint, a water-stained chartreuse couch and scattered chairs.
“Oh! Like ‘Thirteen Ways of Looking at a Blackbird,’ except with bits of conversation. Without, like, any sort of context or link in between?”
It’s not the kitchen I imagined. In fact, it’s nowhere near the kitchen I imagined.
But there’s no place I’m happier in.
This is why Lady Bird is the perfect holiday movie; ultimately, Lady Bird asks us to reckon with what we’ve been given by our parents and by the places we grew up in.