Salt, Ash, and Lead: An Artist and His Materials
The most harrowing allusion in the painting is unavoidable—the train tracks.
The most harrowing allusion in the painting is unavoidable—the train tracks.
I wonder if there is not a bit of wisdom in learning to control and interpret the metaphorical silences that intersperse our lives.
Loving another person is simultaneously the simplest and the most complicated thing that we do.
The constant babble of words in my head—all clambering for my attention—was not conducive for entering into Holy Week.
Some days might call for an extra dab of peanut butter and others for rivers of jelly.
HOW DARE THE SUN SHINE WHEN I FEEL LIKE A PIECE OF TRASH STUCK ON THE UNDERSIDE OF A PARK BENCH THAT HAS BEEN PEED ON BY DOG.
As we receive and give our things away, we perpetuate a legacy of generous exchange.
Because of these human details within the Nativity story, the tiny family huddled in a barn in Bethlehem so long ago feel as close as our own memories.
Oh, and the whole shebang is narrated by a mouse.
The eternal shades of nightly gloom, which had so recently entwined my soul like a noose, loosened their chokehold and seemed to float away, ethereal bonds dissipating like specks of dust caught in a sunbeam.
What if the fairy-tale village is not so innocent? What if the destitute mother sues for custody? What if Cinderella seduces the prince?
I’d personify the pigeons that crowd onto the narrowest of ledges on the building across the street, their plumage flashing psychedelic green and pink.
Then we heard an all-too-familiar sound―a jolt and an internal groan as the bus gasped for breath. We all responded in cartoon-like unison.
For example, the medieval church declared you could not have sex on Sundays (or Thursdays, Fridays, or Saturdays).
While at home, I went on a walk, remembering how, after a long rain, the air would smell like cupcakes or Cheerios as the fumes from General Mills wafted over the trees and rooftops.
These works are about as subtle as a trainwreck, but they are surprisingly fun, despite their depressingly urgent call to take environmental responsibility.
What has a man from all the toil and striving of heart with which he toils beneath the sun? For all his days are full of sorrow, and his work is a vexation.
On Sunday, I came across a body, lying by the side of the road—an expanding pool of blood seeping from the head.
In some respects, Lincoln in the Bardo doesn’t really feel like a novel at all (despite the insistent subtitle), but is rather a carefully curated collection of voices that reside in some literary bardo between genres.
Why this part of the story? Why is this heavenly exchange, from a narrative full of divine meetings, such a favorite in western Christian art?
But to return to reality, the sweet normality of home becomes sweetest after absence. The familiar is defined by exposure to the foreign and new.
For a blog written by people between the ages of twenty-three and thirty circa 2017, it’s been a while since we’ve talked about podcasts.
Time isn’t food, money, a place, or a feeling, or an object or a person—it just is. Despite a wealth of idioms, it’s still hard to talk about time and harder still to savor it.
I always tried to do the independent thing first—I’ll call my own tow-truck, I’ll look for my own apartment, I’ll find a job, I’ll pick a grad program.
It was glorious. We started slow, but accelerated into more and more swings and twirls. The best dances are the ones with strange guys who happened to be very good dancers.
By mid morning, the classroom was really heating up. I turned on every available fan, shut off the the overhead lights, and opened the windows.
In opera we spend time on what matters in life: the big emotional peaks and abysses.
Like many a literary grouch before him, Ove’s icy winter of life thaws before his final curtain.
“What did I hear you say?”
“I said I was bored.”
Nowhere else in this big wide world of ours can you find a life-size Michael Jackson and Princess Diana made entirely out of marzipan.